Studying the human anatomy and physiology is not just for doctors and surgeons or those training to be one. If you’re a nurse or a qualified paramedic, you’d know it’s your business as well. In many instances, you find yourself dealing with the human body in life and death situations such knowledge becomes vital. Although you might have had a bit of anatomy and physiology courses when training to become a nurse or paramedic, you probably feel like you don’t know enough. Real life makes you wish you had kept an anatomy and physiology study guide handy, doesn’t it?
Don’t feel too bad. Whatever anatomy and physiology study guides you used in college would probably have already been outdated by now. Does that mean you need a refresher course? You probably don’t, especially if you’ve done your best to keep abreast with recent developments. However, you probably need to organize whatever you know into a mental databank that you can draw from when the need arises.
If you agree with that, you would find James Ross’ ‘Human Anatomy & Physiology Course’ infinitely useful. It’s not your cookie-cutter home study package. With over 3000 pages of colorful illustrations and a teaching style that even those foreign to the medical field could understand, you’d definitely enjoy learning. Anatomy and physiology study guides should be painless. They’re meant to aid learning, not hinder the transfer of knowledge. And they don’t have to be. When experts like Jim Ross do the transferring of knowledge, they’re able to deliver in a manner even a four-year-old boy would understand. You’d appreciate the easy-to-understand style and find yourself mastering the subject in no time. Teaching, after all, is an art and a skill. And learning is supposed to be fun and exciting.
By: C. S Murphy
Archive for December, 2009
English Literature: Why Should We Study It?
December 23rd, 2009
When we dip into the rich variety of novels, poems, and plays which constitute English Literature we are reading works which have lasted for generations, or centuries, and they have lasted because they are good. These works say something worth saying, and say it with artistry strong enough to survive while lesser works drop into obscurity.
Literature is part of our cultural heritage which is freely available to everyone, and which can enrich our lives in all kinds of ways. Once we have broken the barriers that make studying literature seem daunting, we find that literary works can be entertaining, beautiful, funny, or tragic. They can convey profundity of thought, richness of emotion, and insight into character. They take us beyond our limited experience of life to show us the lives of other people at other times. They stir us intellectually and emotionally, and deepen our understanding of our history, our society, and our own individual lives.
In great writing from the past we find the England of our ancestors, and we not only see the country and the people as they were, but we also soak up the climate of the times through the language itself, its vocabulary, grammar, and tone. We would only have to consider the writing of Chaucer, Shakespeare, Boswell, Dickens, and Samuel Beckett side by side to see how the way writers use language embodies the cultural atmosphere of their time.
Literature can also give us glimpses of much earlier ages. Glimpses of Celtic Ireland in the poetry of W. B. Yeats, or of the Romans in Shakespeare’s plays, for example, can take us in our imaginations back to the roots of our culture, and the sense of continuity and change we get from surveying our history enhances our understanding of our modern world.
Literature can enrich our experience in other ways too. London, for example, is all the more interesting a city when behind what we see today we see the London known to Dickens, Boswell and Johnson, or Shakespeare. And our feeling for nature can be deepened when a landscape calls to mind images from, say, Wordsworth, Thomas Hardy, or Ted Hughes.
The world of English literature consists, apart from anything else, of an astonishing array of characters, from the noble to the despicable – representations of people from all walks of life engaged in all kinds of activities. Through their characters great authors convey their insights into human nature, and we might find that we can better understand people we know if we recognise in them characteristics we have encountered in literature. Perhaps we see that a certain man’s behaviour resembles that of Antony in Antony and Cleopatra, or a certain woman is rather like The Wife of Bath in Chaucer’s Canterbury Tales. Seeing such similarities can help us to understand and accept other people.
Good works of literature are not museum pieces, preserved and studied only for historical interest. They last because they remain fresh, transcending as well as embodying the era in which they were written. Each reader reading each work is a new and unique event and the works speak to us now, telling us truths about human life which are relevant to all times.
We don’t have to read far before we find that a writer has portrayed a character who is in some way like us, confronting life-experiences in some way like our own and when we find ourselves caught up with the struggles of a character perhaps we are rehearsing the struggles to come in our own lives. And when we are moved by a poem it can enrich us by putting words to feelings which had lain dormant for lack of a way of expressing them, or been long-forgotten in the daily round of the workplace, the supermarket, the traffic jam, and the TV News.
We can gain a lot from literature in many ways, but the most rewarding experiences can come in those moments when we feel the author has communicated something personally to us, one individual to another. Such moments can help validate our personal experience at a depth which is rarely reached by everyday life or the mass media.
So why do we need to study English Literature, instead of just reading it? Well, we don’t need to, but when visiting a country for the first time it can help to have books by people who have been there before by our side.
When we start to read literature, particularly older works, we have to accept that we are not going to get the instant gratification that we have become used to from popular entertainment. We have to make an effort to accommodate to the writer’s use of language, and to appreciate the ideas he is offering. Critics can help us make that transition, and can help fill out our understanding by telling us something about the social climate in which a work was written, or about the personal circumstances of the author while he was writing it.
We are not going to enjoy every literary work, and there may be times when we find reading a critic is more interesting than reading the actual work. Reading the work of a good critic can be edifying in itself. Making the effort to shape our own thoughts into an essay is also an edifying experience, and just as good literature lasts, so do the personal benefits that we gain from studying and writing about it.
Whether we choose to study it or read it for pleasure, when we look back over our literature we are looking back over incredible richness. Not just museum pieces, but living works which we can buy in bookshops, borrow from the library, or download from the internet and read today, right now.
By: Ian Mackean
DJ Instruction – Learn 3 Self-Study DJ Tricks
December 23rd, 2009
So you decided to take the plunge and drop a bunch of money and get all the gear you need to be a Pro DJ. You’ve got the plans, the motivation, the number of the local venues, and a friend-of-a-friend wants to promote you when you make it. It’s all looking up for you.
Except, you lack those pesky skills. For one, your mixing sounds awful, the fades are whack, and your scratches actually sounds like you are scratching the record to pieces. You need some DJ Instruction. And you need it yesterday.
We’ve all been there. But don’t worry, because once you get your equipment, it’s only practice that stands between you and a wad of cash and a bit of fame (in the right circles at least).
This isn’t meant to be a full-on lesson in how to DJ, if you want a full DJ lesson you’re going to have to look here. But, what I am trying to do is give you 3 Huge Tips that are going to help you learn to be a Pro DJ.
DJ Instruction: Learn Three Huge DJ Tricks:
DJ Trick 1. Get the right equipment: I know this first one sounds bogus, but even if you think you got the right stuff, you might be kidding yourself. If your decks are bad, then your tempo is going to be as reliable as the lottery. You are going to be as frustrated as a Victoria’s secret photographer. Get some good stuff and then move on to number 2.
DJ Trick 2. Add your own drums on a record: Another trick you can do is have a record playing on one deck and set the tonal arm on the beginning or the end of the record where no music is written now have the record stopped and tap on the record with your finger. The vibration from you tapping will sound like a base beat. Tap in beat with the other record to fatten up the base or add your own percussive touch.
DJ Trick 3. Get some good DJ Instruction: Please don’t waste your time with books. They can take you only so far. Would you use a book to learn to make love? I hope not. The only good way to learn is from a mentor or from a video series where you can see and hear what’s going on. You can see some reviews of DJ video series here.
So now that you know some of the tricks, hit the decks and see what you can make happen.
By: Bradley Spencer